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Jul 18 2024

Voicing the Living Archive: Working with First Nations Collections in Higher Education

This symposium will present perspectives on, and experiences of, people working with First Nations arts and artefact collections in universities.Increasingly universities in Australia are engaging and working with First Nations perspectives, knowledge and communities in teaching and research. University museums and collections are part of this, being custodians of First Nations material culture, archives, and art.Speakers will include First Nations Australians and Non-Indigenous researchers doing collaborative work. The symposium will be of interest to curators, managers of collections, researchers, teachers and students.Keynote speaker:  Professor Sandy O’Sullivan Sandy is a Wiradjuri transgender/non-binary person. Sandy recently completed an internationally-focused Australian Research Council program examining the representation and engagement of First Nations’ Peoples across 470 museums and Keeping Places, and they continue to engage with the Museum Queeries collective in Canada. They also recently completed an ARC Linkage project mapping creative practice across the Barkly Region of the Northern Territory (Creative Barkly). Sandy's work is often across both industry and the academy, and recently they completed a national review of Aboriginal and Torres Strait Islander dance and theatre makers for the Australia Council for the Arts. They are currently a 2020-2024 ARC Future Fellow, with a project titled Saving Lives: Mapping the influence of Indigenous LGBTIQ+ creative artists.

09:30 - 17:30 1 more date available
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Jul 18 2024

In Conversation with Professor Sandy O’Sullivan

Speaker:Professor Sandy O’SullivanDate\Time: Thursday 18 July 2024, 17:30-18:30Location: Building 1 Level A Room 1A21, University of Canberra (NB Room 1a21 is accessed from the foyer joining Building 1 and Mizzuna café);  AbstractProfessor Sandy O’Sullivan will be discussing their current Australian Research Council (ARC)Saving Lives research focusing on a number of projects, including complex queer representations on TV, Indigenous queerness in museums, and the representation of trans lives across, and outside of, the public imaginary.All are welcome! BioProfessor Sandy O’Sullivan (they/them) is a transgender Wiradjuri person.  They lead the Intimacies theme of the Centre for Global Indigenous Futures and they work in the Department of Critical Indigenous Studies, both housed at Macquarie University. They are a 2020-2025 ARC Senior Future Fellow with the program titled: Saving Lives: mapping the influence of Indigenous LGBTIQ+ creative artists. This nationally funded work follows on from another major ARC project that explored representation and engagement of Indigenous peoples and communities across national museums – a program that ran for eight years and reviewed 470 museums. Since 1991 they’ve taught and researched across gender and sexuality, education, museums, the body, creativities and First Nations’ identity. Sandy has been a musician, performer and sound artist since 1982, holding national and international residencies. This event is hosted by the Centre for Cultural and Creative Research (CCCR), Faculty of Arts and Design, University of Canberra. To discover upcoming seminars and events, please follow us on Facebook @uccccr, or Instagram and Twitter @uc_cccr. Alternatively, join our mailing list by emailing cccr@canberra.edu.au. Any questions and accessibility requests please contact: cccr@canberra.edu.au.

17:30 - 18:30
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Aug 6 2024

CDDGG 10th Anniversary Conversation Series: How can deliberative democracy challenge macho populism?

This event is hybrid. Join us on Zoom or at Building 24, University of Canberra.How should deliberative democracy respond to extremism?Can deliberative democracy challenge macho populism? For Hans Asenbaum, the field of deliberative democracy may have come a long way in recognising female marginalisation, but it has so far neglected cisgender, heterosexual, masculinities. Only when deliberative democracy recognises such hegemonic identities can it challenge the heterosexist domination underpinning macho populism.María Esperanza Casullo has a different take. For her, deliberative democracy can challenge macho populism by upholding the value of the most basic of human activities: talking. Macho populism seeks to define the simple act of talking as unproductive, decadent, in sum, feminine. It has a clear preference for supposedly masculine performances of aggression. Therefore, the act of deliberation itself has the potential to become the grounds for resistance. Join the conversation with Hans Asenbaum and María Esperanza Casullo, moderated by Jordan McSwiney. This event is part 7 of a 10-part seminar series on 10 Big Questions on Deliberative Democracy convened by Dr Adele Webb. About the speakersHans Asenbaum is a Senior Research Fellow at the Centre for Deliberative Democracy and Global Governance at the University of Canberra. His research interests include radical democracy, queer and gender studies, digital politics, and participatory research methods. Hans is the author of The Politics of Becoming: Anonymity and Democracy in the Digital Age (Oxford University Press, 2023). The book draws on queer theory to make sense of identity transformation in democracy. His work has been published in the American Political Science Review, Politics & Gender, and the Journal of Gender Studies.María Esperanza Casullo is an Associate Professor at the National University of Rio Negro and a researcher at CONICET in Argentina. She obtained a PhD in political theory from Georgetown University. She has published extensively on democratic theory and populism. Her last published paper is "The populist body in the age of social media: A comparative study of populist and non-populist representation" in Thesis Eleven, in co-authorship with Rodolfo Colalongo. ModeratorJordan McSwiney is a Postdoctoral Research Fellow at the Centre for Deliberative Democracy and Global Governance at the University of Canberra.Seminar Convener: Adele WebbOnline floor manager: Ferdinand SanchezAll Centre seminars are recorded. To access the recording of our seminar series and other events, visit our YouTube channel.

10:00 - 11:00
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Oct 5 2024

Middle Kids

There is a question at the heart of Faith Crisis Pt 1, the third album from Sydney’s emotive indie trio Middle Kids. Over 13 propulsive, ecstatic and gorgeous tracks, songwriter and vocalist Hannah Joy attempts to tease out the question of belief; the breaking of it, and how it is rebuilt. Co-produced by Tim Fitz and Jonathan Gilmore (The 1975, Beabadoobee), Joy and bandmates Fitz and Harry Day masterfully express the sensation of being overwhelmed, swept up and dragged down in songs that exalt and lift you higher.Featuring a collaboration with Gang of Youths frontman Dave Le’aupepe, Faith Crisis Pt 1 is brimming with yearning, angst, pop brightness, belief in love and reassurance that even from the bottom, it’s possible to believe in beautiful things. Middle Kids‘ last album Today We’re The Greatest won Best Rock Album at the 2021 ARIA Awards. Released at the height of the pandemic, the album garnered the band several US TV show performances including Jimmy Kimmel Live, The Late Show with Stephen Colbert, and The Late, Late Show with James Cordon.Middle Kids first gained attention in 2017 with their debut single, ‘Edge Of Town’ and their debut album, Lost Friends, which won Triple J’s Best Australian Album Award in 2018. The success of their albums has also earned the band an international touring profile which has included supporting shows with the likes of Bloc Party, Kings of Leon, War on Drugs and Cold War Kids and festivals such as The Governors Ball, Lollapalooza, Osheaga Festival and many more.

19:30 - 23:30
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Oct 25 2024

Spiderbait - Black Betty 20th Anniversary Tour

Iconic Aussie rockers Spiderbait will hit the road with their Black Betty 20th Anniversary Tour this August, September and October, playing an extensive run of shows to celebrate the 20th Anniversary of their seminal 2004 album, Tonight Alright and standout track, ‘Black Betty’.Recorded in California, Tonight Alright (2004) leant into the hard rock sound of the early-2000’s. The album debuted at No.14 on the ARIA Album Chart that year and featured the band’s most popular song to date, ‘Black Betty’.Renowned for their dynamic on-stage energy, Spiderbait are without doubt one of the country’s most beloved live acts. Most recently touring Australia in 2022, the trio shows no sign of slowing down, their intensity and camaraderie endearing them to fans right across the globe.“Spiderbait made a mighty lush sound… They played with an energising, steamrolling pace that never let up” – MusicFeeds“… a roaring set, high energy, pub/alt-rock, shouting and groovy” – The MusicThe story of Spiderbait is an unlikely but heart-warming one – three friends from a small Australian country town taking on the music scene, and emerging triumphantly thirty years later, friendship intact, and now one of the biggest and best rock bands on the national landscape.The trio’s popularity spans three decades and shows no signs of abating. They’ve released seven acclaimed albums and chalked up almost every Australian accolade possible, taking home multiple ARIA Awards, topping charts and becoming the first Australian band to take the crown in triple j’s prestigious Hottest 100 of 1996 with ‘Buy Me A Pony’.Australian rock ‘n roll royalty, and with a catalogue of music that’s distinctive and uncompromising, Spiderbait’s anticipated Black Betty 20th Anniversary Tour will see the band playing their greatest hits and celebrating their greatest hit of all.

18:30 - 23:30

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